horror fictionThere are many ways a nov­el­ist can write about the unrav­el­ing of civ­i­lized impulses, but for sheer hor­ror, noth­ing rivals the LORD OF THE FLIES-​style bar­barism of the young and ‘inno­cent’, who we may naively imgaine have not yet attained their full capac­ity for sadism.

In James Newman’s riv­et­ing ODD MAN OUT, the degen­er­a­tion into sav­agery takes place at the Black Moun­tain Camp for Boys, where Den­nis Munce, the fifteen-​year-​old nar­ra­tor, has been deposited by his globe-​trotting par­ents. His one friend is the shy and effem­i­nate Wes­ley West­more, who becomes the tar­get of relent­less bul­ly­ing. At first Munce tells him­self the name-​calling and crude homo­pho­bic jokes are not seri­ous: after all “it was all in fun. Just words.” But as the abuse esca­lates, he’s torn between his own inher­ent decency and the urge for self-​preservation.

With two camp coun­selors side­lined due to a car acci­dent, the boys are basi­cally unsu­per­vised. Munce fan­ta­sizes about tak­ing a heroic stand against the psy­cho­pathic pack leader, but when his own safety is on the line, the choice is clear: “Stand­ing up to a bully in defense of a friend meant sign­ing your own death warrant.”

Years after the week at Black Moun­tain Camp, Munce still strug­gles with what hap­pened and tries in small ways to make up for his com­plic­ity in the tragedy. But can he ever really atone?

ODD MAN OUT is cer­tainly a page-​turner, but make no mis­take: it’s not only engross­ing, but deeply disturbing.

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